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Content Conversion Process |
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1. |
We get DPX files from the DI Labs on External HDD for each reel. |
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2. |
Once it comes in DC Lab, we scan it for viruses and transfer it to our centralized
storage vault (Central Storage with raid 6 protection and a hot spare with 10G network
connectivity) and the external disk is formatted. |
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3. |
Once data is in the storage all our encoders can access it for further encoding
and wrapping MXF packages.
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4. |
6 individual surround tracks of sound is imported in the encoders and wrapped in
MXF packages. |
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5. |
Cine canvas sub-title files are imported for sub-titling. |
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6. |
Sound and sub-titles are synced with video. |
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7. |
Final out-put from the encoders are encrypted (as per SMPTE standards) DCI package.
Which is then quality checked on various players like QUBE, DOREMI and GDC compatibilities. |
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8. |
Once QC is approved then the source (DPX files)is deleted from the central Storage.
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9. |
Encrypted packages are cloned on 500 GB SATA hard drives for exhibition deliveries. |
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10. |
500 GB SATA HDD are delivered on ADDONICS external casing with E-SATA 300Gb and
USB 2.0 interface, sealed in PELICAN CASE for maximum data protection. |
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11. |
After getting approvals from distributors,packages are ingested in theatres, KDM
is generated from the release date for a given period of time. |
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12. |
KDM’s are sent separately on the authorized email IDs. |